The New Ultra Telephoto Zoom Lens for Superb Image Quality LEICA DG VARIO-ELMARIT 50-200mm / F2.8-4.0 ASPH. (H-ES50200)
100 mm to 400 mm * Super Telephoto with High Mobility *35mm camera equivalent
Newark, NJ (February 26, 2018) Panasonic introduces a new telephoto zoom digital interchangeable lens, the compact LEICA DG VARIO-ELMARIT 50-200mm / F2.8-4.0 ASPH. (35 mm camera equivalent: 100-400 mm), the third lens to be introduced from its LEICA DG VARIO-ELMARIT F2.8-4.0 Series. And like all lenses in the series, includes Panasonic’s Nano Surface Coating technology to minimize ghosts and flaring, plus a rugged, dust/splash-proof design that is freeze-proof to -10℃.
The LEICA DG VARIO-ELMARIT 50-200mm / F2.8-4.0 ASPH. has a zoom range of 100mm to super telephoto 400 mm (35mm camera equivalent) to cover shooting situations from wildlife and indoor sports to portraits. The POWER O.I.S. (Optical Image Stabilizer) effectively compensates for hand-shake movement to shoot even without a tripod. The lens works with Dual I.S.*1 (Image Stabilizer) and Dual.I.S.2*2 when mounted on compliant Panasonic LUMIX DSLM (Digital Single Lens Mirrorless) cameras.
Comprising 21 elements in 15 groups, the lens system features two UED (Ultra Extra-low Dispersion) lenses, two ED (Extra-low Dispersion) lenses and two aspherical lenses. The sensor drive at max. 240 fps takes full advantage of cameras with high-speed, high-precision Contrast AF for exceptional video recording performance, and an inner focus drive system ensures smooth, silent operation. A micro-step drive system in the aperture control helps the camera smoothly catch up to brightness changes when zooming or panning. The optical design provides exceptional barycentric stability to minimize image shifts during zooming.
By attaching a filter (67mm) such as ND or PL, the lens provides a wider range of expression in photos and video. A 1.4x Teleconverter DMW-TC14*3 extends focusing distance to 560mm (35mm camera equivalent) and the 2.0x Teleconverter DMW-TC20*3 to 800mm (35mm camera equivalent) for more close-up shots.
The LEICA DG VARIO-ELMARIT 50-200mm will be available in stores at the end of June 2018. Suggested retail price is $1699.99 Available in sharp, metallic black.
*1 Dual I.S. can be used with LUMIX GX9, GX8 and GX80/85. *2 Dual I.S.2 can be used with LUMIX G9, GH5, G80/G81/G85. *3 To be sold separately as optional accessories. •Design and specifications are subject to change without notice. •LEICA is a registered trademark of Leica Microsystems IR GmbH. •ELMARIT is a registered trademark of Leica Camera AG.
The LEICA DG VARIO-ELMARIT F2.8-4.0 Series covers 16 to 400mm (35mm camera equivalent) with three outstanding lenses – LEICA DG VARIO-ELMARIT 8-18mm / F2.8-4.0 ASPH. (H-E08018), LEICA DG VARIO-ELMARIT 12-60mm/F2.8-4.0 ASPH. (H-ES12060) and LEICA DG VARIO-ELMARIT 50-200mm / F2.8-4.0 ASPH. (H-ES50200), to provide versatile, superb picture quality.
6. Compatible with SIGMA TELE CONVERTERS (Not available for Sony E-mount lens) Launch: TBD Accessory: Case, Hood (LH708-01) Available AF mounts: SIGMA, Canon, Sony E-mount Note: Appearance and specifications are subject to change without notice.
The long-awaited first macro lens in the Art line In recent years, macro lenses in the standard range have tended to employ inner focusing with the goal of maximizing autofocus speed. In contrast, the new SIGMA 70mm F2.8 DG MACRO | Art lens is designed to prioritize optical performance, fulfilling the demanding image quality requirements that define the Art line. In the standard to mid-telephoto range, it delivers stunning resolution and incredible clarity that greatly exceed expectations for a macro lens. The coreless DC motor further enhances image quality, while an optimized algorithm helps offer extremely smooth autofocus performance for a weightier, high-performance lens. Photography enthusiasts will recall a certain legendary, razor-sharp macro lens—the SIGMA MACRO 70mm F2.8 EX DG—and be glad to learn it is available in a new form, updated with outstanding Art line quality.
Key features
1. Design prioritizing optical performance In order to realize top-level performance at every shooting distance, the lens features an extending, floating, two-group focus mechanism. This configuration minimizes aberration to produce optimal results at any focus distance. To minimize axial chromatic aberration, the optical system incorporates two FLD glass elements, two SLD glass elements, and one element with a high rate of anomalous partial dispersion and a high index of refraction. In addition, two aspherical lens elements help increase resolution at close shooting distances. This optical system makes possible a razor-sharp in-focus area contrasted with a bokeh area free of color streaking.
2. Focus-by-wire system for comfortable and precise focusing The focus-by-wire system eliminates the direct mechanical connection between the focus ring and the focus drive system. Controlled by SIGMA’s latest algorithm, a newly developed coreless DC motor adjusts focus with optimal speed and low noise. Full-time manual focus is available even during autofocus, allowing the photographer to make minute focus adjustments simply by turning the focus ring. In addition, the focus ring’s large angle of rotation helps the photographer achieve the extremely precise focusing required for effective macro photography.
3. Compatible with full-frame Sony E-mount cameras The version of this lens compatible with Sony E-mount mirrorless cameras contains the same optical system as for SLRs. SIGMA MOUNT CONVERTER MC-11 is not required, as the lens performs the same functions as the converter, including in-camera image stabilization and in-camera lens aberration correction. In addition, the lens is compatible with Sony’s Continuous AF, which is not addressed by MOUNT CONVERTER MC-11. SIGMA plans to offer over time Sony E-mount versions of every full-frame prime lens currently available in the Art line, from 14mm to 135mm.
Note: This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.
4. Compatible with Canon Lens Aberration Correction The Canon mount lens is compatible with the Canon Lens Aberration Correction function.* Matching the optical characteristics of the lens, this function performs in-camera corrections of peripheral illumination, chromatic aberrations, distortion, and more, further enhancing image quality. *Function not available on all Canon cameras. Further, available corrections may vary by Canon camera model.
5. Compatible with ELECTRONIC FLASH MACRO EM-140 DG (adapter required) Exclusively for SIGMA 70mm F2.8 DG MACRO | Art, the 65mm MACRO FLASH ADAPTER makes the lens compatible with ELECTRONIC FLASH MACRO EM-140 DG (both accessories sold separately). Thanks to the 72mm filter thread, a 72mm MACRO FLASH ADAPTER can also be added so as to accommodate 72mm macro flash products and accessories, including macro flashes other than EM-140 DG as well as ring lights.
6. Compatible with SIGMA TELE CONVERTERS The lens is compatible with SIGMA TELE CONVERTERS (sold separately) designed for the company’s new lens lines. SIGMA TELE CONVERTER TC-1401 allows the lens to be used as a 98mm F4 mid-telephoto macro with autofocus functionality,* while SIGMA TELE CONVERTER TC-2001 allows the lens to be used as a 140mm F5.6 mid-telephoto macro with manual focus.
*Autofocus available at 0.5m to infinity.
*Not available for Sony E-mount lens
Other features
Mount with dust- and splash-proof design*
*SIGMA mount lens does not include sealing, since sealing is present on compatible SIGMA cameras.
Rounded diaphragm
Fast AF with full-time manual override*
* The operation of full-time MF may vary based on mount type.
Compatible with SIGMA MOUNT CONVERTER MC-11*
*SIGMA and Canon mount lenses
Available SIGMA USB DOCK makes customization and flexible adjustment possible*
*Not available for Sony E-mount lens
Available Mount Conversion Service
Brass bayonet mount
Evaluation with SIGMA’s own MTF measuring system: A1
“Made in Japan” with outstanding craftsmanship
For more information about the SIGMA GLOBAL VISION lineup of fine products, please visit the official SIGMA global website: SIGMA GLOBAL VISION: https://www.sigma-global.com
Specifications
All figures calculated for SIGMA
Lens Construction: 13 elements in 10 groups | Angle of view (35mm): 34.3° | Number of diaphragm blades: 9 (rounded diaphragm) | Minimum aperture: F22 | Minimum focusing distance: 25.8cm/10.2in. | Maximum magnification ratio: 1:1 | Filter size: ø 49mm| Dimensions (diameter x length): ø70.8mm x 105.8mm/2.8in. x 4.2in. | Weight: 515g/18.2oz.
SIGMA launches seven interchangeable Art prime lenses for Sony E-mount cameras with full-frame sensors
SIGMA Corporation is pleased to announce the upcoming launch of interchangeable lenses for the Sony E-mount digital camera series with full-frame image sensors. SIGMA will gradually introduce the lenses as members of the Art line, which offers photographers the highest level of optical performance.
While offering the same high-performance optical design as other lenses in the Art line, the new Sony E-mount models will feature a newly developed control algorithm that optimizes the autofocus drive and maximizes the data transmission speed. In addition, these lenses will be compatible with Sony’s Continuous AF (AF-C) and high-speed autofocus, which are not addressed by SIGMA MOUNT CONVERTER MC-11. Like the converter MC-11, the lenses will be compatible with in-camera image stabilization and in-camera lens aberration correction, which includes corrections for peripheral illumination, chromatic aberrations, and distortion.
The lineup will include the Art line set of seven prime lenses covering 14mm to 135mm. It will also include two models that SIGMA will be exhibiting at CP+ 2018: 70mm F2.8 DG MACRO | Art and 105mm F1.4 DG HSM | Art (launch date TBD). Further, SIGMA plans to introduce additional Sony E-mount models in the Art line going forward.
Note: This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.
Key features
1. Autofocus tuned for each lens
Thanks to an autofocus drive control program tuned for each lens and high-speed data transmission, the lenses will offer high-speed autofocus at the same performance level as that of a lens designed exclusively for mirrorless cameras. In particular, in E-mount cameras offering Sony’s Fast Hybrid AF, AF-C mode will deliver exceptional subject following performance. Moreover, autofocus will remain extremely precise even in those E-mount cameras offering only contrast AF.
2. Compatible with in-camera image stabilization
The lenses will be compatible with in-camera image stabilization. The Sony E-mount camera senses the focal length of the lens and automatically optimizes image stabilization performance.
3. Data loaded for compatibility with in-camera aberration correction The lenses will be fully compatible with in-camera aberration correction, which includes corrections for peripheral illumination, chromatic aberrations, and distortion. By matching corrections to the optical characteristics of the lens, this function takes image quality to an even higher level.
4. Native mount for a more rigid and stable feel Making the mount native to the lens makes possible a more rigid and stable feel to the lens. Featuring a special surface treatment to enhance strength, the brass bayonet mount offers a high-precision fit and exceptional durability. The mount connection area incorporates rubber sealing for dust- and splash-proof construction.
5. Available Mount Conversion Service This service converts the mount of SIGMA lenses to that of a different camera body, allowing photographers to continue using their favorite lenses over the long term regardless of camera system.
Note 1: The Mount Conversion Service is different from a normal repair. In order to apply for the service, please contact your nearest authorized SIGMA subsidiary or distributor. https://www.sigma-global.com/en/about/world-network/
Note 2: This service is performed exclusively by SIGMA.
Product lineup
SIGMA 14mm F1.8 DG HSM | Art
Launch date: TBD. Includes case
SIGMA 20mm F1.4 DG HSM | Art
Launch date: TBD. Includes case
SIGMA 24mm F1.4 DG HSM | Art
Launch date: TBD. Includes case and hood
SIGMA 35mm F1.4 DG HSM | Art
Launch date: TBD. Includes case and hood
SIGMA 50mm F1.4 DG HSM | Art
Launch date: TBD. Includes case and hood
SIGMA 70mm F2.8DG MACRO | Art (CP+ 2018 exhibit)
Launch date: TBD. Includes case and hood
SIGMA 85mm F1.4 DG HSM | Art
Launch date: TBD. Includes case and hood
SIGMA 105mm F1.4 DG HSM | Art (CP+ 2018 exhibit)
Launch date: TBD. Include case, hood, and tripod socket
SIGMA 135mm F1.8 DG HSM | Art
Launch date: TBD. Includes case and hood
February 22nd, 2018 – Kenko Tokina Co., Ltd. is proud to announce the new Tokina FíRIN 20mm F2 FE AF, the second prime lens in Tokina’s premium lens series “FíRIN” for mirrorless cameras.
Overview
FíRIN 20mm F2 FE AF is the long-awaited autofocus version of the existing FíRIN 20mm F2 FE super wide angle lens for full-frame Sony E-mount. Adopting the same optical design as in MF model, now we offer two options for end-users to choose according to the purpose and style of shooting.
Optical performance
Being optimized for full size camera sensors in terms of size and resolving ability, the optical design adopts 2 aspherical elements and 3 lenses molded from Super-low Dispersion glass to significantly reduce any type of aberration including spherical aberration, distortion and chromatic aberration while assuring high resolution and stunning performance even at wideopen aperture.
Functionality
Keeping along with the basic development concept of the previous model FíRIN 20mm F2 FE AF is made compatible to autofocus and other functions of the camera providing perfect functionality and usability for the photographer.
Ring-shaped ultrasonic autofocus motor
For AF drive system FíRIN 20mm F2 FE AF adopts quick responsive and silent ring-shaped ultrasonic motor. Coupled with GMR sensor AF performs fast and accurate focusing.
Full compatibility to AF system
FíRIN 20mm F2 FE AF is fully compatible with Fast Hybrid AF system and all AF function settings, providing the same AF performance as with common E-mount AF lenses. Fine manual focus adjustment is also possible.
MF Assist function
Accurate focusing is supported by compatibility to MF Assist function, when fine focusing adjustment is operated by manual rotation of the focusing ring with the simultaneous interlocking with image enlarging function and bar distance display on the monitor.
Optical correction
Due to the data transmittance ability via electric contacts the camera obtains necessary data from the lens chip to correct shading, distortion and lateral chromatic aberrations. Optical corrections can be done by the camera as well.
Image Stabilization
By transmitting focal length data FíRIN 20mm F2 FE AF is able to get maximum use of In-Body Image Stabilization function of the camera.
* When in-built camera flash is used vignetting may occur. Please use external flash.
About sales release:
Sales release in Japan: end of April, 2018 (tentative)
Sales release worldwide: end of May, 2018 (tentative)
A prototype of Tokina FíRIN 20mm F2 FE AF will be displayed at CP+2018
Kenko Tokina booth location: Exhibition Hall(1F), booth # G-57
Sigma Announces Pricing & Availability for Its New 14-24mm F2.8 DG HSM Art Lens
The ultra-wide angle zoom will begin shipping in mid-March for a retail price of $1,299.00 USD (Around RM5200)
Ronkonkoma, NY – February 23, 2018 – Sigma Corporation of America, a leading still photo and cinema lens, camera, flash and accessory manufacturer, today announced that the latest addition to its Sigma Global Vision lens offerings, the 14-24mm F2.8 DG HSM Art, will be available in mid-March for $1,299.00 USD through authorized US retailers. Designed for 50-megapixel plus cameras, the 14-24mm F2.8 DG HSM Art achieves the legendary Art lens sharpness with three FLD glass elements, three SLD glass elements, and three aspherical lens elements, including one 80mm high precision molded glass aspherical element. With near zero distortion (less than 1%) and minimal transverse chromatic aberration, flare and ghosting, the new Sigma 14-24mm offers constant F2.8 brightness throughout the zoom range and delivers optimal image quality at every focal length and shooting distance. The high-speed, high-accuracy autofocus allows photographers to capture incredible, in-the-moment images that set a new standard in the era of outstanding high-resolution.
In addition to outstanding optical performance, the 14-24mm F2.8 DG HSM Art features the Sports line level dust- and splash-proof design with special sealing at the mount connection, manual focus ring, zoom ring and cover connection, allowing for the lens to be used during varying weather conditions.
The new Sigma 14-24mm F2.8 DG HSM Art lens supports Canon, Nikon and Sigma mounts and works with Sigma’s MC-11 Sony E-mount converter. The Nikon mount features brand new electromagnetic diaphragm, whereas the Canon mount is compatible with the Canon Lens Aberration Correction function.
WORLD’S FIRST FLASH FEATURING AUTO INTELLIGENT BOUNCE TECHNOLOGY* INTRODUCED FROM CANON
New Speedlite 470EX-AI Flash Offers Photographers the Opportunity to Enhance The Creativity of their Captured Images
MELVILLE, N.Y., Feb. 25, 2018 – Canon U.S.A. Inc., a leader in digital imaging solutions, is excited to announce the Canon Speedlite 470EX-AI Flash, a revolutionary new flash system designed with entry-level and enthusiast photographers in mind. The one-of-a-kind flash incorporates Auto Intelligent (AI) Bounce technology – engineered to automatically and intelligently configure the most appropriate bounce angle resulting in ideal lighting conditions. The Speedlite 470EX-AI Flash could help alleviate the stigma attached to flash photography as being too difficult, while serving as a gateway for photographers looking to expand their skill set, especially those who recently stepped up from smartphone photography.
“Capturing images and sharing memorable moments that last a lifetime is the goal of photographers of all skill levels. DSLR cameras already feature Autofocus, Auto Exposure and Auto White Balance; the natural next step is an automatic flash system,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “Canon values the opportunity to help entry-level and enthusiast photographers take pictures to the best of their ability, and we are excited to see what images photographers capture using the invaluable and innovative tools we create.”
At the core of Canon’s Speedlite 470EX-AI Flash is the innovative, new AI Bounce technology. AI Bounce automatically and intelligently determines and dictates the optimal angle of flash based off two distance variables: the distance between the camera and the ceiling, and the distance between the camera and the shooting subject. This technology allows photographers, in particular those who are new to flash photography, to utilize the ideal lighting situation and natural brightness of the room. For more advanced photographers who often alter the horizontal or vertical direction of their camera back and forth, the Canon Speedlite 470EX-AI Flash will remember the previous bounce angle and restore the flash to that position.
Additional features of the Canon Speedlite 470EX-AI Flash include infrared AF assist mode, optical receiver transmission, and flash coverage from 14mm and 24mm to 105mm.
The Canon Speedlite 470EX-AI Flash is scheduled to be available April 2018 for an estimated retail price of $399.99**. For more information please visit, usa.canon.com.
* As of February 25, 2018. For a list of compatible Canon cameras please visit, usa.canon.com/470chart ** Availability, price and specifications are subject to change without notice. Actual prices are set by individual dealers and may vary.
Sony ExpandsFull-frame Mirrorless Lineup with Introduction of New α7 IIICamera
Versatile New Model Combines all the Latest Imaging Technologies into a Compact Package
Newly Developed Full-frame 24.2MP[i] Back-Illuminated Exmor R™ CMOS Image Sensor with Evolved Image Processing
Wide ISO range of 100 – 51200 (expandable to ISO 50 – 204800 for still images) and 15-Stop[ii] Dynamic Range at low sensitivities
World Class AF system featuring 693 phase-detection AF points covering 93% of image area, 425 contrast AF points and fast and reliable Eye AF
Continuous Shooting at up to 10 fps[iii] with either Mechanical Shutter or Silent Shooting[iv] and full Auto Focus/Auto Exposure tracking
5-axis optical in-body image stabilization with a 5.0 step[v] shutter speed advantage
High Resolution 4K[vi] Movie Shooting with full pixel readout and no pixel binning across full-width of full-frame sensor
The longest rated battery life of any Mirrorless camera[vii] at 710 shots[viii] per charge
Upgraded operability and functionality including addition of joystick for adjusting focus points, Dual SD Card Slots, SuperSpeed USB (USB 3.1 Gen 1) USB Type-C™ Terminal and more
LAS VEGAS, Feb. 26, 2018 – Sony Electronics, a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, has today introduced yet another impressive addition to their full-frame mirrorless camera lineup, the α7 III (model ILCE-7M3).
Sony’s unmatched innovation within the image sensor space is at the forefront of the new α7 III, as it features a brand new 24.2MPi back-illuminated Exmor R CMOS image sensor with increased sensitivity, outstanding resolution and an impressive 15 stopsii of dynamic range at low sensitivities. By combining this sensor with a variety of impressive features including extreme AF coverage of 93%, fast shooting at up to 10 fpsiii with either mechanical shutter or silent shootingiv, diverse 4Kvi video capabilities and more, Sony has created a new tool that gives all types of creators – from enthusiast to professional – the ability to capture content in new and different ways than they ever have before.
“We are continually pushing to deliver more for our customers – more versatility, more functionality and most importantly, more innovation,” said Neal Manowitz, Vice President of Digital Imaging for Sony Electronics. “With the new α7 III, we’ve taken many of our newest and most advanced imaging technologies from the acclaimed α9 and α7R III models and paired them with an all-new 24.2 MP back-illuminated sensor to deliver the ultimate full-frame camera for enthusiasts, hobbyists and professionals alike. It’s a camera that punches far above its weight class in every capacity. Combined with our impressive selection of 26 native full-frame E-mount lenses, it provides a level of performance that is simply unmatched in the industry.”
Spectacular Full-frame Image Quality
The newly developed 24.2MPi back-illuminated Exmor R CMOS image sensor is paired with a front-end LSI that effectively doubles the readout speed of the image sensor, as well as an updated BIONZ X™ processing-engine that boosts processing speed by approximately 1.8 times compared to the α7 II. These powerful components work together to allow the camera to shoot at faster speeds while also enabling its impressive ISO range of 100 – 51200 (expandable to ISO 50 – 204800 for still images) and an overall 1.5 stopix improvement in image quality. The camera also features a massive 15-stopii dynamic range at low sensitivity settings, ensuring outstanding overall performance at all settings and in all shooting conditions, with significant advancements in accurate color reproductions of skin tones and the vibrant colors of nature.
This new full-frame model can also output 14 bit RAW format[ix] even in silent and continuous shooting modes, and is equipped with a 5-axis optical image stabilization system that results in a 5.0 stepv shutter speed advantage.
Significant Advances in AF Speed and Performance
The innovative new α7 III full-frame mirrorless camera features a level of AF performance that has been largely improved over the α7 II, including the addition of 4D FOCUS™ capabilities. The new camera has 425 contrast AF points that work with a 693-point focal-plane phase-detection AF system inherited from the acclaimed α9 model. This innovative AF system covers approximately 93% of the frame, ensuring reliable focusing and tracking for even the most difficult to capture subjects.
AF response and tracking has also been greatly improved in the new camera, with almost 2xii the focusing speed in low-light condition and 2xii the tracking speed compared to the previous model as a result of the faster image sensor readout. This allows complex and unpredictable motion to be captured with far greater precision and accuracy.
The acclaimed Eye AF feature is also available in the new camera, even in AF-C mode, which is extremely useful for situations where the subject is turning around, looking down or otherwise obstructed. It also works when the α7 III is being used with Sony’s A-mount lenses with an optional LA-EA3 adaptor[x]. Additional improvements in focusing flexibility include the addition of a multi-selector or ‘joystick’ for moving focusing points quickly, the addition of touch focusing capability, AF availability in Focus Magnifier mode, an ‘AF On’ button and much more.
Speed to Capture Every Decisive Moment
The new α7 III is equipped with an updated image processing system that allows it to shoot full resolution images at up to 10 fpsiii with continuous, accurate AF/AE tracking for up to 177 Standard JPEG images, 89 compressed RAW images or 40 uncompressed RAW images[xi]. This high speed mode is available with either a mechanical shutter or a completely silent shootingiv, adding to the immense flexibility of the camera. The camera can also shoot continuously at up to 8 fpsiii in live view mode with minimal lag in the viewfinder or LCD screen.
For added convenience, while large groups of burst images are being written to the memory card, many of the cameras key functions are operable, including access to the ‘Fn’ (Function) and ‘Menu’ buttons, image playback and several other menus and parameters including image rating and other functions that facilitate on-location image sorting.
Additionally, if there is fluorescent or artificial lighting present in a shooting environment, users can activate the Anti-flicker[xii] function to allow the α7 III to automatically detect frequency of the lighting and time the shutter to minimize its effect on images being captured. This minimizes any exposure or color anomalies that can sometimes occur at the top and bottom of images shot at high shutter speeds.
High Quality 4K Video
The new α7 III is an outstanding video camera as well, offering 4Kvi (3840×2160 pixels) video recording across the full width of the full-frame image sensor. In video mode, the camera uses full pixel readout without pixel binning to collect about 2.4x[xiii] the amount of data required for 4K movies, and then oversamples it to produce high quality 4K footage with exceptional detail and depth.
An HLG (Hybrid Log-Gamma)[xiv] picture profile is available on the α7 III as well, which supports an Instant HDR workflow, allowing HDR (HLG) compatible TV’s to playback beautiful, true-to-life 4K HDR imagery. Further, both S-Log2 and S-Log3 are available for increased color grading flexibility, as well as Zebra functionality, Gamma Display assist and proxy recording. The camera can also record Full HD at 120 fps at up to 100 Mbpsvi, allowing footage to be reviewed and eventually edited into 4x or 5x slow motion video files in Full HD resolution with AF tracking.
Upgraded Build, Design and Customization
Sony’s newest full-frame camera is equipped with a variety of enhanced capabilities that were first implemented in the α9 and then again in the α7R III. These include dual media slots, with support in one slot for UHS-II type SD memory cards. Users have a variety of options for storing their content in each of the cards, including separate JPEG / RAW recording, separate still image / movie recording, relay recording and more. Battery life has been greatly extended as well – with a CIPA measurement of up to 710 shots per chargeviii, it offers the world’s longestvii battery life of any Mirrorless camera, as the new camera utilizes Sony’s Z series battery NP-FZ100 that have approximately 2.2 times the capacity of the W series battery NP-FW50 utilized in the α7 II.
The new camera features “My Menu” functionality which allows up to 30 menu items to be registered for instant recall when needed. Users can also apply star ratings to their still images through the camera controls for easier image playback and review, and edit the first three characters of all still image files. Additionally, there is a total of 81 functions that are assignable to 11 custom buttons, and the camera is both dust and moisture resistant.[xv]
The α7 III features high-resolution, high-contrast, fast-start XGA OLED Tru-Finder™ with approximately 2.3 million dots for extremely accurate, true-to-life detail reproduction. “Standard” or “High” display quality settings are also available for both the viewfinder and monitor as well. It also is capable of seamlessly transferring files to a smartphone, tablet, computer or FTP server via Wi-Fi®, while also offering a SuperSpeed USB (USB 3.1 Gen 1) USB Type-C™ Terminal for increased flexibility in power supply and faster image transfer speed during tethered shooting.
The α7 III model also comes with Sony’s new software suite “Imaging Edge”, which extends the creative capabilities of the entire shooting process – from pre-processing to post-processing. “Imaging Edge” provides three PC applications called ‘Remote’, ‘Viewer’ and ‘Edit’, available for free download, which support live-view PC remote shooting and RAW development. In the latest Version 1.1, several improvements have been implemented including about 10%[xvi] faster data transfer speed for remote shooting from PC (PC tether shooting) and about 65%[xvii] improvement in the response speed for RAW image editing. For more information, please visit Imaging Edge support page. www.sony.net/disoft/d/.
The camera is also compatible with a wide variety of Sony E-mount accessories including the BC-QZ1 Battery Chargerxviii, VG-C3EM Vertical Grip.
Pricing and Availability
The Sony α7 III Full-frame Interchangeable Lens Camera will ship this April for about US$2000 for the body and US$2200 in a kit with the FE 28‑70 mm F3.5‑5.6 kit lens. In Canada, it will be sold for $2600 CA for the body and $2800 in a kit with the FE 28‑70 mm F3.5‑5.6 lens. The camera and kits will be sold at a variety of Sony authorized dealers throughout North America.
A variety of exclusive stories and exciting new content shot with the new α7 III camera and other Sony α products can be found at www.alphauniverse.com, a site built to educate and inspire all fans and customers of the Sony α brand.
[i] Approximate, effective [ii] Sony test conditions [iii] In continuous “Hi+” mode. Max. fps depends on camera settings. [iv] Some distortion may occur with fast-moving subjects. [v] CIPA standards. Pitch/yaw shake only. Planar T* FE 50mm F1.4 ZA lens. Long exposure NR off. [vi] Class 10 or higher SDHC/SDXC card required for XAVC S movie recording, UHS speed class 3 or higher for 100 Mbps recording. [vii] Among non-reflex interchangeable lens digital camera equipped with auto focus function as of February 2017, based on Sony research. [viii] CIPA standards. When using the LCD monitor. 610 images when using the viewfinder. [ix] Limited to 12 bits during compressed RAW continuous shooting, BULB exposure, or when Long Exposure NR is ON. [x] With SSM or SAM lenses only. With the LA-EA3 mount adaptor. Eye AF not supported for movie recording. AF-C can only be used when the “Phase detection” AF system is selected, but focus is fixed at the first frame during continuous shooting in any mode other than “Continuous: Lo” (Hi+, Hi, Mid). [xi] Continuous “Hi+” mode. UHS-II compatible SDXC memory card required. Sony test conditions. [xii] Only 100 Hz and 120 Hz flicker is detected. Continuous shooting speed may decrease. Flicker-free shooting is not available during silent shooting, BULB exposure, or movie recording. [xiii] 24p recording. Approx. 1.6x at 30p. [xiv] Connect to an HDR (HLG) compatible Sony TV via a USB cable to view HDR (HLG) movies. [xv] Not guaranteed to be 100% dust and moisture proof. [xvi] The transfer speed has been measured with multiple images using α7R III, SuperSpeed USB (USB 3.1 Gen 1), and Uncompressed RAW ( L: 7952 x 5304)＋JPEG Extra fine. [xvii] Measured with: CPU Intel® Core™ i7-6700 Processor 3.40GHz, Memory 8GB, OS Windows® 7 Professional, and Uncompressed RAW (α7R III L: 7952 x 5304) [xviii] Not supplied in box
Sony Malaysia is giving out 1+1 Year additional warranty for their selected digital camera during this Chinese New Year festive season, from 15th Jan till 28th Feb 2018.
The models with additional warranty are:
Sony FDR-X3000R0
Sony FDR-AS300R
Sony HDR-AS50R
Sony RX100 V
Sony A7R II
Sony A7R II
Sony A7S II
To be eligible for the additional warranty, you must register your Sony camera at:
There are also free gifts and cash rebate from Sony as below. The cash rebate normally is discounted directly from dealers. Since the cash rebate has been carried on since Dec 2017, so you won’t see any price changes from dealers for the cameras.
DJI Introduces Mavic Air For Limitless Exploration Wherever Adventure Takes You
The Most Portable 3-Axis Gimbal 4K Camera Drone Features SmartCapture, FlightAutonomy 2.0 And Advanced Pilot Assistance Systems
January 23, 2018 – DJI, the world’s leader in civilian drones and aerial imaging technology, today introduced Mavic Air, an ultra-portable, foldable camera drone that delivers higher performance, more intelligent features and greater creative possibilities than any other consumer drone. Developed with the traveler and outdoor enthusiast in mind, Mavic Air inherits the best features of DJI’s iconic Mavic series with a 4K camera for superior image quality, new QuickShot modes and SmartCapture for easier, more intelligent photo and video capturing, and FlightAutonomy 2.0 with Advanced Pilot Assistance Systems for smarter, safer flight. A marvel of engineering and design, Mavic Air enables limitless exploration wherever adventure takes you.
“When DJI introduced the Mavic Pro, it reinvented what a consumer drone could be: powerful, yet portable, accessible, but advanced,” said Roger Luo, President at DJI. “Today, with the introduction of Mavic Air, we have pushed these attributes to the next level to create our best consumer drone yet.”
Designed for Portability and Power
Weighing just 430 grams, Mavic Air is the most portable DJI drone ever created. Its folding arms and propellers sit flush against its slender aerodynamic frame, making it so compact that its footprint is nearly the size of a modern smartphone when folded.
Every aspect of Mavic Air’s camera has been designed for maximum performance. Its recessed three-axis mechanical gimbal is suspended from dampeners to further reduce vibration providing superior protection and steadier shots. A powerful camera housing a 1/2.3” CMOS sensor and the equivalent of a 24mm F2.8 lens (on a 35mm full frame sensor) captures high-quality photos and videos.
Mavic Air photographs crisp 12-megapixel still images utilizing new HDR algorithms that preserve more highlight and low light details, allowing you to capture stunning aerial pictures from sunrise to sunset. It also shoots smooth stabilized 4K video at 30 fps, capturing the highest quality video of any DJI consumer drone with a maximum bitrate of 100 Mbps. Preserving the action in dramatic fast-paced scenes is now possible through its ability to shoot 1080p slow-motion video at 120 fps.
Mavic Air is DJI’s first drone with 8 GB of onboard storage letting you save photos and videos directly to the aircraft on the go, plus a microSD card slot for additional storage capacity. The newly added USB-C port makes exporting captured footage easy and fast.
Expand Your Creativity
Mavic Air’s intelligent camera system creates new possibilities for anyone regardless of their photography and drone piloting experience. Photo enthusiasts who want to capture their surroundings in complete detail can use the new Sphere panorama feature to automatically shoot and stitch together 25 photos, creating a crystal-clear 32-megapixel panoramic image within one minute. Mavic Air also supports multiple panorama modes, creating horizontal, vertical, and 180-degree images.
QuickShot intelligent video modes make creating professional videos fun and easy with predefined flight paths that automatically keep your subject in the frame. Use Rocket, Dronie, Circle, or Helix plus two new modes Asteroid and Boomerang, to effortlessly create videos that once required significant piloting skills and sophisticated editing software. Asteroid starts with a spherical image that zooms in as it descends toward the subject on the ground, while Boomerang circles the subject in an oval-shaped flight path with the video finishing at the start point.
Mavic Air’s ActiveTrack intelligent flight mode has been improved to automatically sense multiple subjects, following your subject and keeping it in the frame with more precision, especially during high motion activities like running and cycling.
Powered by machine learning technology, SmartCapture[1] is an ultra-responsive control mode that makes shooting photos and videos effortless. With a maximum range of up to 20 ft (6 meters), you can give hand gesture commands to launch, follow, photograph, record, push, pull and land, letting you capture the moment from any angle without the need for a remote controller.
Smarter, Safer Flight
More powerful computing capabilities and optimized algorithms help Mavic Air fly smarter and safer through obstacles and terrain. FlightAutonomy 2.0 processes data gathered from seven onboard cameras and infrared sensors to construct a 3D map of its environment for more precise hovering and better flight performance. The improved forward and backward dual camera vision systems can sense obstacles up to 66 feet (20 meters) away. To help navigate through more complex outdoor environments, Mavic Air has newly developed Advanced Pilot Assistance Systems that helps pilots avoid and bypass obstacles automatically, providing an extra layer of reassurance during flight.
Mavic Air has a maximum flight time of up to 21 minutes. It can fly stably in windy conditions of up to 22 mph (36 kph) and at high elevations of up to 16,404 ft (5,000 m) above sea level[2]. Mavic Air’s remote is the first to feature detachable control sticks that can be stored inside the remote controller for added portability. Its omnidirectional antennas placed on the foldable landing gear help increase signal coverage to deliver a maximum range of up to 2.5 miles (4km)[3] with 1080p real-time video transmission when flying with the remote controller. When in Sport mode, Mavic Air flies at exhilarating speeds of up to 42 mph (68 kph) and is compatible with DJI Goggles for an immersive FPV flight experience.
Price and Availability
Mavic Air will be available in three colors: Onyx Black, Arctic White and Flame Red. The Malaysia retail price including the drone, battery, remote controller, carrying case, two pairs of propeller guards and four pairs of propellers, is RM3499. The Mavic Air Fly More Combo includes the drone, three batteries, a remote controller, a travel bag, two pairs of propeller guards, six pairs of propellers, a battery to power bank adapter and battery charging hub, for RM4299.
January 8th, 2018, Seoul, South Korea – Global optics brand, Samyang Optics is pleased to unveil its first autofocus lens for Canon full frame DSLR cameras: AF 14mm F2.8EF. This light weight wide angle lens inherits the renowned image quality of Samyang’s wide angle series and delivers a quiet, fast and accurate autofocus system.
World Class Wide Angle Lens, Samyang 14mm
This first EF mount autofocus lens from Samyang encapsulates the brand’s universally respected optical technology, especially in the wide angle lens category. From a total of 15 lenses in 10 groups, 7 special optic lenses have been chosen in the production of this lens, to maximize the image quality.
The use of 2 aspherical lenses, 4 high-refractive lenses, and 1 extra-low dispersion lens minimizes distortion and various aberrations while producing crystal clear resolution. The remarkably even image quality from centre to corner of the wide 116.6 degree angle of view appears distinctly on its MTF chart.
Ideal Autofocus Lens with High Usability
Importantly, the minimised weight and movement of the focusing lens group enables quiet and pleasant autofocusing with high accuracy. This compact Samyang AF 14mm F2.8 EF weighs only 485g without lens caps and hood and is the best travel partner to capture unforgettable moments on your journey.
Weather-sealing and a built-in AF/MF switch increase usability.
Available from February 2018
This world-wide Samyang AF 14mm F2.8 EF inherits the renowned image quality of Samyang’s wide angle series from the manual focus 14mm F2.8, the premium XP 14mm F2.4, the AF 14mm F2.8 FE autofocus lens for Sony full-frame mirrorless cameras and professional cinema lenses, and the XEEN 14mm, 16mm and 20mm.
The lens will be available globally from February and a suggested retail price is EUR 699.
SAN MATEO, Calif., Jan. 8, 2018 /PRNewswire/ – GoPro, Inc. (NASDAQ: GPRO) today reported certain preliminary financial results for the fourth quarter ended December 31, 2017. GoProexpects revenue to be approximately $340 million for the fourth quarter of 2017. Fourth quarter revenue includes a negative impact of approximately $80 million for price protection on HERO6 Black, HERO5 Black and HERO5 Session cameras, as well as the Karma drone.
GoPro expects GAAP gross margin for the fourth quarter of 2017 to be between 24% and 26%. Non-GAAP gross margin for the fourth quarter of 2017 is expected to be between 25% and 27%. Non-GAAP gross margin for the same period, excluding the price protection impact of $80 million and other charges of between $19 million and $21 million, is expected to be between 44% and 46%. GoPro expects GAAP operating expenses to be between $136 million and $140 million for the fourth quarter of 2017 and non-GAAP operating expenses to be between $118 million and $122 million for the same period.
GoPro ended the fourth quarter with cash and cash equivalents of $247 million, up $50 million over the third quarter of 2017.
“As we noted in our November earnings call, at the start of the holiday quarter we saw soft demand for our HERO5 Black camera,” said GoPro founder and CEO Nicholas Woodman. “Despite significant marketing support, we found consumers were reluctant to purchase HERO5 Black at the same price it launched at one year earlier. Our December 10 holiday price reduction provided a sharp increase in sell-through.”
Globally, HERO5 Black sell-through more than doubled in the two weeks following the December 10 price reduction, while HERO5 Session sell-through roughly tripled.
Sales of the newly introduced flagship HERO6 Black camera performed as expected during the fourth quarter. On January 7, GoPro lowered the price of its premium model, HERO6 Black from US$499 to US$399 to align with its good, better, best product strategy.
Initial uptake of GoPro’s newly launched spherical camera, Fusion, was better than expected during the quarter.
“GoPro is committed to turning our business around in 2018,” said Nicholas Woodman. “We entered the new year with strong sell-through and are excited with our hardware and software roadmap. We expect that going forward, our roadmap coupled with a lower operating expense model will enable GoPro to return to profitability and growth in the second half of 2018.”
2018 Products and Operating Expenses
In 2018, GoPro will continue to innovate with several new products aimed at new and existing customers. GoPro’s sharper focus will enable an US$80 million reduction in operating expenses compared to 2017 levels, resulting in a target operating expense level of below US$400 million for 2018 on a non-GAAP basis.
The lower non-GAAP operating expense target will be achieved through a variety of strategies, including:
GoPro is reducing its global workforce from 1,254 employees as of September 30, 2017 to fewer than 1,000 employees worldwide.
GoPro founder and CEO Nicholas Woodman will reduce his 2018 cash compensation to $1.
Although Karma reached the #2 market position in its price band in 2017, the product faces margin challenges in an extremely competitive aerial market. Furthermore, a hostile regulatory environment in Europe and the United States will likely reduce the total addressable market in the years ahead. These factors make the aerial market untenable and GoPro will exit the market after selling its remaining Karma inventory. GoPro will continue to provide service and support to Karma customers.
A restructuring of GoPro’s business will result in an estimated aggregate charge of $23 million to $33 million, including approximately $13 million to $18 million of cash expenditures as a result of a reduction in force, substantially all of which are severance and related costs, as well as approximately $10 million to $15 million of other charges, consisting primarily of non-cash items. GoPro expects to recognize most of the restructuring charges in the first quarter of 2018. GoPro will provide more detail on its 2017 results and 2018 outlook in its fourth quarter earnings report which will take place in early February.
The most successful GoPro series is definitely is HERO 3…where GoPro went public in Year 2014…
Just hours after GoPro’s disappointing Q4 2017 report—in which the company outlined a cost-cutting plan and announced that it would no longer be making drones—CNBC is reporting that the action cam giant has “put itself up for sale.”
The report cites “people familiar with the matter” who asked not to be named, but who told the network that GoPro hired J.P. Morgan Chase “some months ago” to find a buyer. The sources claim no buyer has come forward as of yet, but GoPro CEO Nick Woodman himself confirmed that the company would be open to a partnership or buyout.
If there are opportunities for us to unite with a bigger parent company to scale GoPro even bigger, that is something that we would look at.
GoPro has suffered setback after setback since it went public in 2014, with lackluster action cam sales due at least in part to increased competition from smaller manufacturers, a disastrous launch (and recall) of the Karma drone, multiple rounds of layoffs, and its unceremonious exit from the drone market today. The stock price chart is… not pretty:
Still, despite a market cap of a little over $1 billion, you can bet that any potential buyer will be eyeing a price well below that mark unless the company’s plan to “[turn] the business around in 2018” starts to show some results.
Insta360 is a company known for its affordable, consumer 360-degree camera dongles. The Insta360 One and Air are its current models for iPhone and Android, respectively, but the camera started out with the iPhone-only Nano in 2016. For CES, Insta360 has now launched an upgraded Nano S that keeps the original model’s form factor, so accessories can still be used, but comes with upgraded interior components.
Compared to the original Nano, video capture has been bumped from 3K to 4K resolution and stills are now captured at a whopping 20MP, a nice step up from the previous 4.6MP stills. In addition, you can now choose between a matte black and silver version.The Nano S doesn’t just provide higher resolution recording, though, it also comes with a couple of new features. MultiView Shooting allows you to output conventional video footage with two or three camera angles, and 360-degree Video Chat gives any recipient a live 360-degree spherical view of the caller’s location, even without using the Insta360 app, the caller simply needs to share a link.
A foldable stand for easy video calls or 360-degree selfies comes included in the package.
